Debord in Watts: Race and Class Antagonisms Under Spectacle,” in Lateral: Journal of the Cultural Studies Association 7.1, 2018

Thin Edge of Barbwire: Pedagogical Strategies Against Borders,” In Radical Teacher, vol. 111, 2018

Institutional Critique as Embodied Critique: Notes on Self-Organized Seminar, Debt, and Collective Resistance,” Symposium Presentation at Beyond Alternatives, Urbana-Champaign, 2018

Notes on Red76’s Occupy Yr. Home” with Sam Gould. In Journal for Artistic Research 10, 2016

Autonomous Research within and/or Beneath the Ruins; Or, We are Finally Getting our Feet Wet,” in ArtLeaks Gazette 2

Committed Withdrawal? A few note on Paradox and Revolutionary Efforts,” Introduction to XOXO: Love letters to Our Friends, Hate Mail to our Frenemies. On Commitment and Withdrawal. 2014

Notes on an Affective Practice: An Exchange” with Sarah Kanouse. In Parallax 19:2 (2013) pp 7-20

But Neither Wood Nor fire Find Any Peace of Satisfactions In Any Warmth, Great or Small, Or In Any Resemblance Between Them, Until the Moment When the Fire Becomes One With the Wood and Imparts Its Own Nature to it. Or: How Two Fragments Meet and a Film is Made” (MFA Thesis) 2013. A text on Debord’s use of detournement, The Society of the Spectacle, and my remake of Debord’s film.

What we could do together,” With Christopher Pickett for the Journal of Aesthetics and Protest new blog project. 2013

Becoming-Professional: Notes on the University and the Production of MFAs” (MA Thesis) 2011


Interview with Sarah Ross of Prison + Neighborhood Arts Project, in The Journal of Aesthetics & Protest diablog, 2015.

Keeping History Alive: Notes on Memorialization, Identity, and the Bonnet Carré Spillway: Interview with Robin McDowell, 2015.

An interview with Josh MacPhee with Brendan Baylor, in The Journal of Aesthetics & Protest 9. 2014.